Berman called the recruitment of Shiban a "coup" for the series. Instead, this character was developed into an original Vulcan character, T'Pol. First Contact ,  as Braga and Berman felt it was a period in the Star Trek universe which was unexplored. Braga said that they knew they were right for those roles "right off the bat". Enterprise following a demand by Paramount Television executives in an effort to reconnect the series with the fans of the franchise. Michael Westmore was once again the Head of Make-up for the series, and was joined by his daughter-in-law Suzanne Westmore , who had previously been credited on Voyager as Suzanne Diaz.
This idea was rejected by the studio executives, and these story elements were instead restricted to the pilot, "Broken Bow". Roxann Dawson was also announced to direct at the start of the series, having previously played B'Elanna Torres , also on Voyager. Instead, this character was developed into an original Vulcan character, T'Pol. Rush felt that the audience would not see a great deal of difference as the footage can be shot in a way to look the same as the earlier seasons, but felt that the filming in high definition would be a benefit because of the additional detail that could be seen on screen. Braga explained that the most difficult casting was that for T'Pol, as they were seeking a Kim Cattrall type. His main issue at the time was to find a "beautiful woman who can act and doesn't want to go right into feature films". Blalock and Marjorie Monaghan were among the final three to be considered for the part, with Blalock gaining the role,  despite her agents rejecting requests for her to attend auditions early in the casting process. Berman called the recruitment of Shiban a "coup" for the series. Enterprise Brannon Braga was one of the co-creators and executive producers of Enterprise. The production had a warehouse in Burbank to store those pieces while they were not being used. He pitched this to Braga and Berman, but instead they pitched another idea back to the actor in which he could play the chef of the Enterprise, who was taken to the future by Daniels and required to impersonate Kirk. We are seeing people who don't take meeting aliens as just another part of the job. Voyager and following the end of Star Trek: Enterprise following a demand by Paramount Television executives in an effort to reconnect the series with the fans of the franchise. Phase II during the late s. Rush resumed his role as Director of Photography, having been involved with Trek since the third season of The Next Generation. The temporary sets for the show were housed on stages 8 and 9; while the permanent sets including the bridge , engineering and the armory were located on stage In addition to the executive producers, a number of former Star Trek crew members joined the new series at launch. But he hoped that the "dramatic change" in Enterprise would mean that new viewers were drawn in to watch it. These teams were led by construction coordinator Tom Arp, who had previously worked on Deep Space Nine and a number of Star Trek films in the same capacity. Also, by bringing it back years from Voyager, we're making the characters closer to the present, and by doing that they can be a little bit more accessible and a little bit more flawed and a little bit more familiar to you and me. While the fans online were suggesting that it could either be based on Starfleet Academy or the adventures of Hikaru Sulu , the producers took care that no information was leaked to reveal what the concept was going to be. First Contact ,  as Braga and Berman felt it was a period in the Star Trek universe which was unexplored. It the first three seasons were shot on wide screen 35mm film with and an aspect ratio of 1. After they could not settle on an idea, the Mirror Universe concept was reworked into the two-part episode " In a Mirror, Darkly ". Michael Westmore was once again the Head of Make-up for the series, and was joined by his daughter-in-law Suzanne Westmore , who had previously been credited on Voyager as Suzanne Diaz. A number of directors who had previously worked on episodes in other Star Trek series returned once more to work on Enterprise.
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