Along with the abovementioned Denman, honorable mentions are due to Rebecca Koon as a chatty salon patron who comes in for a purple wash and drives a purple El Dorado; eastern Kentucky homeboy Dwight Yoakam as the prison warden; and Jon Eyez as a convict who very nearly walks off with the movie in a single scene. But where those films wear their virtuosity on their sleeves, Logan Lucky feels like the work of a filmmaker with nothing to prove, neither sententious seriousness of purpose nor technical knowhow. This is one of the only movies to take full advantage of the pomp of a major sporting event preshow, replete with an F flyover and LeAnn Rimes belting out the national anthem. Announcement of policies and prices will be found in another column. His comeback is a stylish, joyful heist movie aimed at grown-ups, one Soderbergh financed and distributed on his own. What Soderbergh understands and revels in, as working-class hero Andy Warhol did, is the fact that authentic homespun American life is shot through with a generous dose of artifice—artificial sweeteners and colors that appear nowhere in nature. The house opens for business Tuesday, January 21st. They are unwashed, greasy-haired and speak with thick accents.
Tatum plays an unemployed coal miner and single dad; Adam Driver, his brother, a one-armed bartender who lost his limb in Iraq; and Craig a tattooed explosives expert named Joe Bang, whose white-blond hair and piercing blue eyes suggest an Aryan menace. His comeback is a stylish, joyful heist movie aimed at grown-ups, one Soderbergh financed and distributed on his own. Logan Lucky is now playing in select theaters. It has a heist at its center, which relates it to his quite successful trio of Oceans films, but its setting is Appalachia—Boone County, West Virginia, and western North Carolina, specifically—and, in its interest in the details of lives lived paycheck to paycheck in regions of the country little-depicted in popular cinema, it is closer to something like Bubble , shot in the Ohio River towns of Parkersburg, West Virginia, and Belpre, Ohio, or Magic Mike , with its early scenes of men at work laying Spanish tile in West Central Florida. The undertaking is to be a family affair, with Jimmy and Clyde enlisting the services of their sister, Mellie Riley Keough , a hairdresser and notorious speed-demon, and the three Bang brothers, each of whom brings a different liability—Fish and Sam Jack Quaid and Brian Gleeson are not the sharpest crayons in the pack, while safe-cracker big brother Joe Daniel Craig will have to be sprung from prison, kept beyond its walls for the duration of the job, and returned undetected with an airtight alibi. Middleburg, bought another in Huntington today and shipped it by express. Announcement of policies and prices will be found in another column. In lining up the money for Logan Lucky, the director pursued a new distribution model intended to cut out studio participation and interference entirely—a model that leans heavily on his preexisting celebrity and the participation of salable celebrities, and so no more practicable and sustainable for most filmmakers than Radiohead album giveaways. And yet, counterfeit abounds: Step in and have a look at it. They play horseshoes with unhooked toilet seats. The seating and electrical equipment, as well as the stage and box office arrangement are of the very best, and every care, and precaution, has been taken for the comfort, safety and convenience of patrons of the Bennett. Middleburg and Lopinsky, lessees of the new Bennett theatre have been here several days looking after the interior finishing, installation of curtain, scenery, drops, chairs, picture machine, etc. Soderbergh, aware or not, is mocking the dispossessed Americans he thought would flock to his movie. Not every bit of business in this very busy movie lands soundly. The entertainment proved first-class both as to the management and the operation. That, too, is soon to be a film, produced and directed by Ron Howard. They are unwashed, greasy-haired and speak with thick accents. Along with the abovementioned Denman, honorable mentions are due to Rebecca Koon as a chatty salon patron who comes in for a purple wash and drives a purple El Dorado; eastern Kentucky homeboy Dwight Yoakam as the prison warden; and Jon Eyez as a convict who very nearly walks off with the movie in a single scene. What Soderbergh understands and revels in, as working-class hero Andy Warhol did, is the fact that authentic homespun American life is shot through with a generous dose of artifice—artificial sweeteners and colors that appear nowhere in nature. Tatum wears American-flag boxer briefs. Manager Midelburg has surely struck the right key-note in selecting this line of entertainment for Logan, between dates of the theatrical attractions he has booked for the season. Credited to an unknown screenwriter named Rebecca Blunt believed by industry insiders to be Soderbergh himself , the film is set in rural West Virginia and built around a plot to steal millions during the biggest NASCAR race of the year. This new business model would shake up multiplexes otherwise dominated by superhero franchises. Soderbergh seems content to work loose here, to leave a few plot threads trailing off.
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